The Dangers of Story Overload

Let me start by saying that I believe in the power of a good story...to transcend culture, to spark imagination, to create connections, to engage strangers, to empower the voiceless, to provoke change, to inspire ideas, to nurture understanding, and on and on. But as I witness the proliferation and dominance of story - corporations, politicians, activists, evangelists all out there busking - I'm becoming concerned about the impact on our real lives.

Stories are simple. Stories are constructs that take complex and often messy realities and craft them into a narrative with a beginning middle and end. Just the act of choosing a beginning is artificial. Our daily lives are not linear, orderly progressions. An encounter that holds the promise of future romance or a business partnership can fizzle into nothing at all. Unless you create a life together or launch a product or make a film or a baby or whatever - that storyline just ends. We all have countless dead-ends in our lives. The same is true for history and biology. My concern is that if we constantly see everything in the form of a story, we may lose our capacity to confront - and even embrace - the very real complexities of life, love, politics, business, and nature.

But it's not only the simplification, it's also heightened drama that is a concern. In a recent Wall Street Journal Article about the "stars" of the award-winning documentary STARTUP.COM, both entrepreneurs talk about the difference between their actual experience and the dramatized version that was depicted on screen. One of them eloquently explains:

"They had to sell the story, and they had to pick the pieces that made everything larger than life. And that's part of the brilliance in the work that they did. It's not part of the reflection of reality - it's the reflection of the artistic license to tell a story - an exciting story." - Tom Herman

I'm starting to better understand why innovator and entrepreneur Iqbal Quadir resisted becoming a "character" in the documentary film I wanted to make about him...we were calling it 'Startup.com with a global twist.'

I can give another example. My documentary CATCHING OUT features several contemporary hobos who dissent against mainstream American consumer culture by traveling for free on freight trains. The film has received criticism for not being more dramatic - no encounters with railroad police, not enough actual trainhopping footage. Sure, it's far from a perfect film, but even with hindsight I would not amp up the action. True, you can get a big adrenaline kick when you are scrambling around a train yard, but more often riding the rails is about endlessly waiting and watching. You go nowhere fast. It's boring stuff that involves a lot of napping, reading books, and philosophizing with fellow travelers. The exhilarating part of hopping a train is the existential journey of abandoning social convention and cultural expectation - a more complex and nuanced experience than encountering a bull or a catching a train on the fly.

Or consider my more recent filmmaking adventure: when I went to Kenya to document the making of the feature film TOGETHERNESS SUPREME, I thought I would capture a straightforward story about the trials and tribulations of producing a film in a slum on the outskirts of Nairobi with a local cast and a crew of local youth trainees. But as I started shooting, that story felt shallow, contrived. A more complex and more compelling story presented itself about the interplay between the fictional narrative of the film and the real lives of the cast and crew. There's no question that the more complex story would have been harder to tell and part of the reason that I recently pronounced the project a "Fail" is because I couldn't figure out how to bring it to fruition. But I'd rather not make a film at all then craft a contrived story.

Of course, I want passionate and talented storytellers to continue to create stories that offer us the chance to dream and imagine and visit worlds we would otherwise never know. I particularly want storytellers from distant and diverse places to challenge our standard western narratives. But I also want to encourage the storytellers of our time to experiment with deconstructing stories, breaking them down, pulling them apart, and exposing their simplicity and artifice.

Producing a #Fail

There's a movement afoot to embrace failure as a way to collectively learn from mistakes. A good example is Failfaire which looks at failures in the realm of tech (internet, mobile, communication) for development. And the #Fail hashtag is perennially popular on Twitter. So it's in that spirit that I'm announcing that Producing Pamoja is a #Fail...

Don't get me wrong, I'm not taking this lightly. I've always prided myself on perseverance and creative problem-solving. And it goes against my sense of integrity to give up. My heart is heavy knowing that many supporters believed in me and that my friends in Kibera were counting on me. It was only a couple months ago that I was pronouncing I would finish the film "Somehow, Someway." So, what changed? I've come to believe that the challenges are insurmountable.

These are my lessons:

1) Perfect Preparation Prevents Piss Poor Performance. In the case of Producing Pamoja, I threw caution to the wind and spontaneously embarked on an adventure to capture the making of Togetherness Supreme with less than three weeks to prepare. The truth is that I didn't really know much about the project - only that the story focused on the Post Election Violence that had erupted in Kenya and that the production would employ local youth as cast and crew. When I arrived in Kenya I discovered that many of my assumptions and expectations were false. Do your homework before you start shooting!

2) Money matters. Despite seed funding from Shine Global and the generosity of supporters who contributed via The Point I struggled to capture the footage I needed. I embarked on a wing and a prayer but the project stalled due to lack of resources once I returned from Kenya. While I believe in taking leaps of faith, it helps to have a safety net. Lack of a sound financial foundation can undermine a project.

3) Don't go it alone. Perhaps the biggest challenge I've faced in this endeavor has been not finding a creative partner / team to help sustain the project. Collaboration is a key to success.

To my friends in Kibera: I'm humbled and grateful that you shared your stories with me. I believe in you and your capacity to create a better future in Kenya. Bahati njema!

Home from Holland

Home after a month spent in Holland soaking up good, quality time with family and friends. I also had fun networking with some awesome folks doing inspiring stuff: unexpectedly attended Media For Heroes conference where I had the pleasure to meet both Hapee (Hivos) and Wendy (Oxfam Novib), enjoyed lunch with the team behind 1% Club, visited Press Now to discuss their potential Ushahidi implementation, and connected with Emer, one of the amazing founders of Butterflyworks, (our meeting turned into a caffeine-fueled totally non-linear marathon conversation about a bunch of different projects).

It's no accident that so many cool people and projects are based in Holland with its cosmopolitan culture of innovation and outward engagement. Plus the Ministry of Foreign Affairs provides significant financial support. I'm envious: most of my tax dollars spent overseas are going to hi-tech weaponry and soldiers.

Anyway, I'm back in beautiful (but insular) Blue Jay and wondering what now? Practically speaking, I need to find work. But more than anything I'd love to immerse myself in the three creative projects that I've got in the works: Producing Pamoja, Trading Faces and an initiative for crowdsourcing creative expression in developing countries. Hoping the universe will intervene...

Meanwhile, I'm a huge fan of the photo blog Africa Knows and I want to share this stunning image of a graffiti mural in Muthare, one of several slums in and around Nairobi.

One last clip!

Over the past few days I've shared a few video clips that offer a glimpse into the talent and spirit of the young Kenyans who worked as cast / crew on TOGETHERNESS SUPREME and will appear in PRODUCING PAMOJA. I posted one last clip of behind-the-scenes crowd control below...

I still need to edit clips of Geoffrey, the actor who plays the role of Otieno, and Owino, the aspiring politician who plays the role of a political organizer in the film. I also want to share colorful clips of a local musician and a group of dancers, but I'm out of time for editing, and I need a little technical help with some of the footage!

In other news, I've reapplied to Chicken & Egg Pictures for funding that would allow me to spend some crucial time with my editor - to craft a real fundraising sample and create a rough outline of footage / scenes for the film. I'm also actively exploring the outreach strategy for the film and during my upcoming trip to Holland I will meet with the amazing organization Butterfly Works to discuss!

Introducing Chemaiah

Wrapping up the introductions (for now) with Chemaiah. (Please see this post for background)

In this clip, the star of TOGETHERNESS SUPREME is feeling down after shooting a scene where an anti-Kikuyu mob burns down the home of his character, Kamau. The scene reminds Chemaiah of the actual events that took place in Kibera when his grandmother was threatened and forced to flee her home permanently. We also have an interview (in Kikuyu) with his aging grandmother.

Introducing Chris

As I explained in my previous post, I'm posting a series of short video clips to introduce several of the young Kenyans who will appear in PRODUCING PAMOJA.

Today I'm introducing Chris, who plays the role of Masher in TOGETHERNESS SUPREME. Masher is a Luo thug who hates Kikuyus and leads a mob to burn the house of the main character, Kamau, at the end of the film. In this clip, Chris talks about how he is similar to the character he plays, and he shares a story about an event that changed his life. We also have footage of him reenacting the event near his childhood home.

Kibera Rap!

Taking a break from introductions today...

While filming in Kibera, these local kids wanted to perform this rap on camera. It's a little overexposed, but I hope you enjoy!

Introducing Faith

Continuing the series of video clips that I announced here...meet Faith!

Working as a trainee in the DIT department, Faith impressed everyone with her determination and dedication. She is a shining example of what can be achieved by the youth of Kibera when opportunity is offered. In this clip, she describes how a mob scene in the movie feels very real to her and reminds her of her own experience during the post-election violence.

Introducing Jahill

As I explained my last post here's the next video, introducing Jahill!

A sound trainee during production of TOGETHERNESS SUPREME, Jahill is also a DJ on the community radio station Pamoja FM and an aspiring musician. In this clip he takes us on a journey through the winding, narrow passageways of Kibera while he shares his thoughts on the film and life in Kibera.

Introducing....

Over the next week, in a series of short video clips, I'm going to introduce several of the young Kenyans who will appear in PRODUCING PAMOJA. The clips also offer a glimpse into production of the feature film TOGETHERNESS SUPREME which was filmed entirely in Kibera, one of the largest slums in Africa, located on the outskirts of Nairobi, Kenya. (Click here to visit TOGETHERNESS SUPREME blog)

“Pamoja” means "together" in Swahili, and in PRODUCING PAMOJA, we follow local youth – from different ethnic backgrounds – as they work together to produce the film and give Kenya a brighter future.

Please watch these clips with the understanding that they are intended as character sketches and should not be viewed as trailers for the film. I have very limited editing skills so these clips reflect what is easiest for me to cut together and not necessarily the best material in terms of content. They also do not represent what the completed film will look like, and I don't even have clips of everyone who will appear in the film!

First up is Martha who is the lead actress in TOGETHERNESS SUPREME (and recently nominated for an African Academy Award). She plays a volunteer nurse and the love interest of both the film's main character, Kamau, and his friend, Otieno. Martha is very dedicated to community empowerment, and her quiet passion is apparent in this clip. We also have footage of her rehearsing a poetry performance with a community theater group.