I spent several weeks in Kibera last year, documenting the making of the feature film TOGETHERNESS SUPREME (see prior posts about the doc Producing Pamoja), and I heard a constant refrain from the local youth: we don't lack talent; we lack opportunity. The idea for "Creative Co-Opportunity" is an outgrowth of this experience, but it's not limited to Kibera.
At first, I thought of an online platform like Kiva where people would provide micro-loans to artists and their projects. But creative projects are not always income-generating so these loans would not necessarily be repaid. Instead, contributions could be structured as micro-grants and -- unlike a cow or other micro-enterprise -- the final product could be shared with the community online and/or in the form of a book, print or DVD.
But as the concept evolved, I realized that the biggest incentive would be the opportunity to engage. I imagine Creative Co-Opportunity as a network that connects artists and creators w/ patrons and others who can provide needed resources both locally and globally. Not only to support the making of the work, but also ensuring that it is seen and enjoyed. This means more than simple fundraising. Ideally, the network will promote the exchange of ideas, suggestions, contacts, feedback, expertise, moral support and other essentials for success other than just plain money. It could potentially evolve into something like the Unreasonable Institute or the Sundance Institute Lab programs.
Also, the concept of co-opportunity would mean that each artist that receives support would agree to "reciprocate" (a concept I borrowed from Butterflyworks). After completing their own projects, artists become talent scouts and mentors for the next round of artists.
I'm very much inspired by Butterflyworks and also by the mission of the Prince Claus Fund in The Netherlands which views culture as a basic need. My other sources of inspiration include:
- Africa Knows
- Picha Mtaani
- Just a Band
- Kuweni Serious
- The Mwelu Foundation
- Hot Sun Foundation
- Film Aid
- Project Diaspora
Now I feel like it's time to get to work.
Luckily, I don't need to design the online platform from scratch. On my recent visit to Holland, I met with the 1% Club and discussed posting a handful of pilot projects to their existing online platform. They also suggested that I could use the iLab as a base to work from in Nairobi. But still, there's a lot of pieces to put together to make the concept work....
Please, share your thoughts and suggestions. I specifically welcome any insights and recommendations for:
- an organizational structure in Kenya
- advisors and partners both locally and globally
- organizations and individuals to act as talent scouts, identifying emerging talent
- funding!!!
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